Black on Black Success!

Black people who live in communities in which Black institutions such as Historically Black Colleges and Universities (HBCUs) are located become very successful. This is because the knowledge they acquire from the HBCUs empowers them to startup businesses and employ Black people in the communities. Read more about this via HBCUs Improve The Quality Of Life For Blacks Living In Their Cities | News One

 

 

A Journey Of A Thousand Miles Begins With One Step…

Tell your story.

 

 

Become a Published Author in Just Six Months (with my help)

QUICKLY BECOME A PUBLISHED AUTHOR WITH THE L’OUVERTURE FAST TRACK YOUR WRITING WORKSHOP

Hi. I’m Maggie, Founder of the L’Ouverture Storytellers Project, a Barbadian publishing house. I specialize in empowering storytellers of all genres to unleash their brilliance. I’m a creative thinker, a professional writer and storyteller, a self-taught filmmaker and an entrepreneur in the arts. I’m a teacher who has created a space where storytellers can diligently learn and hone their craft.

I’m offering you the opportunity to publish your book in just six months through my L’Ouverture Fast Track Your Writing workshop. Read More…

Responding to the Creative “Ding!”

by Maggie Brito, PhD

When I attend to the Ding! at the time it Dings! I become absorbed in the layered, complex type of creative idea it tends to be.

Sometimes when I’m working an idea would pop into my awareness and kind of hover, as if it’s waiting for me to pick it like fruit from a tree. Ideas like these are fully formed, complete and finely detailed, and I’m usually excited by their unexpected appearance. Thing is, there are loads of other ideas in my mind already, and to attend to this new one means I have to take time away from the others I’m already attending to.

These new ideas come with a little “Ding!”, that is, a kind of alert that lets me know they’ve arrived. They tend to pop into my mind and go “Ding!” despite the fact that a lot of other ideas are already there, lined up in a mental queue, awaiting their turn to be attended to – essential tasks like emails to be answered, writing to be done for clients, content to compose for Facebook and Twitter, online meetings to attend, articles to be read – all these are the legitimate mental activities in which I engage during the course of any working day and then along comes this unscheduled “Ding!”

So what do I do? I have to make a decision: either attend to the unruly Ding! or put a pin in it and keep focused on the well-behaved, orderly, scheduled mental tasks I’ve lined up for the day. I have done both at various times, and have found that each choice brings a different result.

When I attend to the Ding! at the time it Dings! I become absorbed in the layered, complex type of creative idea it tends to be. I always enjoy the exploration of these ideas, because they seem to hook nicely into the higher-level layers of thinking I enjoy so much as a creative writer, such as metaphor, critical thinking, logic, all wrapped up in a kind of imaginative play as I give form to the idea.

The Ding! is usually creative, and some part of it is totally original; if not the idea itself, then some aspect of its execution. The reason I get excited when the Ding! arrives is because it signals a period when I can be completely authentic in my writing. And I just love how the Ding! rolls itself out in an auditory way, snuggling up among my regular thoughts, but possessing enough of its own bright quality as to be distinguished as its own peculiar kind of thought. I don’t hear it with my ears; it’s more an “inner” hearing. And though I can “see” the Ding! it’s with my inner vision. You know? The Ding! is kind of mystical, though entirely practical. It’s one of the inexplicable technologies with which humans are endowed.

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The Dinged! idea usually invites extended exploration, and while I enjoy it, I also feel I’m doing it at the expense of other pressing tasks I’ve put on hold, all of which have tight deadlines. There was actually a time I felt that the time I spent doing intensely creative work on the Ding! was “stolen” time, and so creative work became a kind of guilty, clandestine pleasure that was even more enjoyable because I felt I was doing it in stolen time. However, the creative work always turned out to have its own rewards, and not just enjoyment and emotional release, but it also benefited my career for a long time to come.

If I decide not to tune into the Ding! I find that by the time I do get around to it the bright, sharp quality it had when it first Dinged! had faded a bit. I liken this to the difference between picking a fruit at the point of ripeness and enjoying all that goodness right there, and letting the fruit sit for a while. Anyone who has picked a ripe mango or apple or strawberry and eaten it right there and then would know what I’m talking about. I’m from the Caribbean, and we do this all the time – pick a ripe fruit from a branch and eat it while it’s warm and filled with sunshine. When you eat the fruit after its finest moment has passed – maybe after letting it sit in the fridge for a bit – it’s still good, but not as good as before. Not only that, the emotional “skin” of this creative fruit, that part of the fruit that makes it enticing and irresistible (and where a lot of its substance happens to be) has faded a little, and some of the intricately filigreed details of the idea have gone as well.

Other times, when I finally decide to turn my attention to a neglected Ding! I find that it has dissipated entirely, like a burst bubble.

This doesn’t mean not attending to a Ding! when it Dings! is bad. There’re good reasons for putting a pin in a Ding! Both choices are valid, however, not responding to the creative Ding! delays my entry into my vision, for though the arrival of the Ding! is unscheduled, it’s not unsolicited. It’s a response to an idea I’ve been mulling over for some time and which I had de-accelerated to idle mode while I dealt with other things. The Ding! would pop into my awareness after being formed in the silent unknown on my unconscious.

Lately, however, I have been tending more and more to receive the Ding! no matter when it shows up.

Book Review: Ajani’s Wonderful Summer and the Imaging of the Black Boy

One aspect of the assault on the African family and on Black families has been the removal or lessening of the role of the father in the household.

The underachievement of boys in educational systems throughout the African diaspora, as well as the fact that the majority of perpetrators and victims of homicides, violent crimes and assaults in the diaspora are young men, are important issues that have been engaging the attention of people from all walks of life, for these are symptoms of crises occurring in Black communities and nation states.

Barbadian author, Dr. Akhentoolove Corbin, is concerned about the crises which exist in Black communities, especially as these affect Black boys. One of his major concerns is that many Black boys throughout the African diaspora grow up without a father figure in the house. We are well aware of this, for many of our Caribbean sociologists have drawn attention to this matter, and the absentee father has been one of the major themes of Caribbean sociology for a long time. Read More

 

 

How Smithsonian Helped Solve the Mystery of the Unknown [Black] Woman Scientist 

Sheila Minor was not, as some suggested, “support staff.” She was a biological research technician who went on to a 35-year-long scientific career

Source: How Smithsonian Helped Solve the Twitter Mystery of the Unknown Woman Scientist | At the Smithsonian | Smithsonian

 

 

Kunta Kinteh & His Descendants Were Real Here’s The Proof & Video of Their Graves ~ Haki Kweli Shakur

The release of The Black Panther, the movie, showed the important role of representation in filmmaking to the conscientizing of Black people on the planet. There are numerous other films and TV series which spark similar interest, even if not on such a large scale. The mini-series “Roots” is one of those series. The original series aired in 1977 to critical acclaim, and the remake is no less successful. This article is about the impact of the series on the town of Spotsylvania in Viginia, and the discovery there of the grave of Kunta Kinte.

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Roots’ Program Catches Hold in Virginia ‘Home’ By Ken Ringle January 28, 1977 Washington Post Article source:https://www.washingtonpost.com/archive/politics/1977/01/28/roots-program-catches-hold-in-virginia-home/efc04e56-baec-4567-9824-d86c177a527c/?utm_term=.51ae314f6063

When Judge A. (for Absalom) Nelson Waller, 73, turns on his television set each night this week to watch “Roots,” the dramatization of Alex Haley’s novel of his black family’s history, he does so with more than the casual interest of the average viewer.

Kunta Kinteh & His Descendants Burial Evidence Bethlehem Cementary Hennings Tennesee

Haki Kweli Shakur on The K.Kinte Show Video

Waller’s ancestors, no less than Haley’s are part of the story. The judge’s ancestors were the plantation owners who bought Haley’s great-great-great-grandfather, Kunta Kinte, on the slave block in Annapolis and bent him to a life of bondage on land that the Waller’s family still owns two centuries later.

Waller, a stocky bald man with the disposition of a playful bulldog, isn’t sure whether he likes the story or not. Like…

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